Key Highlights
- Gone is a crime thriller inspired by real-life events.
- The show features an uptight headteacher who may be a murderer.
- David Morrissey and Eve Myles star in the series.
- The six-part drama explores themes of masculinity, institutions, and power dynamics.
A Crime Thriller with Nuanced Themes
Gone, a new crime thriller from ITV, follows George Kay’s 2023 hit The Long Shadow. The show promises to delve deep into the psyche of its characters, making it a must-watch for fans of intricate plotlines and complex storytelling.
David Morrissey’s Uptight Headteacher
David Morrissey stars as Michael Polly, a headteacher at a private school in Bristol. His character is described as “a funny fish,” which hints at his peculiar behavior and possible involvement in a murder mystery that unfolds around him.
Narrative Inspiration and Plot Development
Gone is inspired by the real-life detective Julie Mackay and crime journalist Robert Murphy’s 2024 book, To Hunt a Killer. The show aims to combine practical and narrative veracity, setting up a deliberate premise that challenges viewers’ judgment as it unfolds.
Character Dynamics and Setting
The series explores the dynamics of power within institutions and the struggles of women in male-dominated environments. The school where Polly presides is described as “horribly cosy and cosily horrible,” reflecting the toxic environment within.
Morrissey’s performance as Polly is noteworthy, showcasing a stoical but unraveling, deeply repressed middle-aged man with unnerving skill. Myles’ character, Detective Annie Cassidy, offers a blend of compassion, irritation, and midlife disappointment.
Slow Burn Drama and Ambiguity
Gone is described as a slow burn drama that doesn’t reveal its truths gradually but rather through nuanced character studies. The ambiguity surrounding Michael Polly’s possible guilt or innocence adds to the show’s intrigue.
The show’s attention to detail means few moments are wasted, with episodes structured to build tension and maintain viewer interest. By the end of episode two, it becomes clear that Polly’s breakdown in a shed is ambiguous, fittingly representing the drama’s complexity.
