before is because I gave them my word and I wouldn’t go back on that,” she said, but added, “But having a week off in between, it’s just a lot.”
Family Pressures and Baby Nurse Woes
Lively’s voice message isn’t just about work. She also addressed the challenges of returning to the limelight after giving birth to her fourth child, Olin. “I still don’t have a baby nurse,” she quipped, highlighting the lack of support in managing both her career and family life.
“Shooting in April, shooting in March is just too soon after having a baby and not sleeping.”
She expressed the desire to be in better shape before returning to work: “Wanting to be in my best shape” while balancing the demands of motherhood. This candid admission adds depth to her portrayal as a working mother navigating the challenges of balancing career and family.
A Selfish Request?
While Lively’s voice message was personal, she also suggested adjusting the production timeline for her benefit. “Obviously there’s selfish reasons I’m telling you this,” she admitted. “If by chance you’re like, ‘Oh my God, if I could go two weeks earlier, that would actually be great,’ then amazing.”
“This is my social interaction these days — just talking into voice memos.”
Her final quip suggests the toll this situation has taken on her. For a star like Lively, having to rely on voicemails for social interaction speaks volumes about the personal and professional pressures she faces.
The Broader Context: A High-Stakes Legal Battle
This voice message is part of an ongoing legal saga that has put both actors under intense scrutiny. Blake Lively sued Baldoni in December 2024, alleging sexual harassment and retaliation, with Baldoni denying the allegations. The case is set to go to trial in May 2026.
The unsealed court exhibits reveal a more personal side of Lively’s struggle, adding layers to her public persona. Her voice message serves as a stark reminder of the complexities behind such high-profile disputes and the toll it takes on all parties involved.
