Key Highlights
- Bethanne Patrick explores how artists use literature in their work.
- Kate Bush’s version of “Wuthering Heights” is praised for its musical interpretation.
- The article discusses the resurgence of classic literature through modern adaptations and references.
- Examples include David Bowie, The Rolling Stones, and Steely Dan using literary works as inspiration in their music.
Wuthering Heights Revisited: Kate Bush’s Musical Masterpiece
You might think this is new, but… it’s not. For decades now, artists have been drawing upon the rich tapestry of literature to create some of their most memorable works. And let’s face it, a good story can make for great music.
Take Kate Bush’s 1986 version of Emily Brontë’s “Wuthering Heights” for instance. It’s not just a catchy tune; it’s an entire narrative wrapped up in lyrics and melody.
The Artistry of Kate Bush
Bush, that Ur-diva of the ’80s, managed to encapsulate the essence of “Wuthering Heights” better than any SparkNotes could. Her song isn’t just a cover; it’s an entire reimagining of the novel. The shrieks and pleading in her music mirror the tempestuous love and rivalry between Heathcliff and Catherine. And let’s be real, who can forget those opening lines: “Wuthering Wuthering Wuthering Wuthering Heights…” It’s a line that still sends shivers down my spine.
A Literary Tapestry
Patrick’s essay delves into how various musicians have used literature as inspiration. From David Bowie’s “1984” to Steely Dan’s “Home at Last,” these songs aren’t just catchy; they’re a testament to the enduring power of classic works. Bowie, with his master’s in literature, created a perfect fusion of music and narrative. His song is more than just Orwell’s dystopian world come alive; it’s an entire universe of playfulness and complexity.
Music Meets Literature
And let’s not forget the Rolling Stones’ “Sympathy for the Devil,” which draws from Mikhail Bulgakov’s “The Master and Margarita.” The song isn’t just a nod to literature; it’s a deep dive into the themes of evil, redemption, and the supernatural. It’s a complex narrative that doesn’t shy away from complexity—much like the source material.
Classical Inspirations
Even classical music has its literary inspirations. Homer’s “Odyssey” inspired Steely Dan’s “Home at Last,” while the Soggy Bottom Boys’ “I Am a Man of Constant Sorrow” draws on the same epic themes. These songs are more than just melodies; they’re stories set to music.
Adaptation and Resurgence
This month, Emerald Fennell’s film adaptation of “Wuthering Heights” starring Margot Robbie and Jacob Elordi promises to introduce a new generation to the novel. But if you ask me, the best way to experience Emily Brontë is through Kate Bush’s song. It’s not just a cover; it’s a reimagining that captures the essence of the story better than any adaptation.
A Reading Revolution?
Will these musical adaptations spark a reading revolution? Probably not for everyone. But they do provide an entry point for those who might otherwise overlook literature.
And isn’t that what great art is all about—bringing new audiences to old stories? So, the next time you hear “Running Up That Hill” or “Sympathy for the Devil,” remember: these songs are more than just catchy tunes. They’re a bridge between music and literature, a testament to the enduring power of classic works. And when you do find yourself drawn in by one of these musical masterpieces, don’t forget—there’s always the book.
