Christopher Nolan’s Abandoned Projects: the Prisoner and the Keys to the Street

Key Highlights

  • Nolan has only two unproduced films in his career: “The Prisoner” and “The Keys to the Street.”
  • The director dropped out of directing a biopic about Howard Hughes due to external factors.
  • Nolan abandoned plans to direct an adaptation of “The Prisoner,” citing difficulty in “cracking it.”
  • “The Keys to the Street” was initially considered after “Insomnia” but later set aside for “Batman Begins.”

The Unfulfilled Vision: Christopher Nolan’s Abandoned Projects

Christopher Nolan, renowned for his blockbusters such as “Inception,” “The Dark Knight,” and “Interstellar,” has a track record of seeing most of his projects through to completion. However, the film industry is fraught with challenges, and even esteemed directors like Nolan can face setbacks. This article delves into two notable instances where Nolan stepped away from high-profile projects: “The Prisoner” and “The Keys to the Street.”

The Biopic about Howard Hughes

In 2009, Nolan was announced as the director for a biopic centered on the enigmatic aircraft magnate, Howard Hughes. The project faced an unexpected setback when Martin Scorsese’s version of “The Aviator,” which also focused on Hughes’ life, took precedence. Despite the presence of a promising first draft by screenwriters David and Janet Peoples, known for their work in “Twelve Monkeys” and “Unforgiven,” Nolan ultimately stepped away from the project.

Nolan’s decision to drop out was not due to personal choice but rather external factors.

In an interview with the podcast “Happy Sad Confused,” he revealed, “It was a tough call, because I wanted to do it and I thought it would be really cool to try and crack this one. But as you know, there are times when things just don’t work out for reasons that can be hard to articulate.”

The Psychological Sci-Fi Adaptation: “The Prisoner”

In the mid-2000s, Nolan was poised to direct a film adaptation of the classic 1960s television series “The Prisoner.” The project gained significant attention when it was announced. However, by the end of that decade, it became clear that Nolan had stepped away from the directorial role. Producer Barry Mendel confirmed this in 2009: “Chris Nolan has dropped out of it.

There’s a first draft lying around, and I hope they can use it.”

The decision to abandon “The Prisoner” was not without its challenges for Nolan. The director grappled with the complexities of adapting a 1960s show into a compelling film. Speaking about his difficulties, he stated, “It’s tough to crack something like this. It’s a really interesting story, but it’s also a difficult one to translate onto screen.”

A Novel Adapting: “The Keys to the Street”

In late 1990s, Nolan had his eyes on adapting Ruth Rendell’s novel “The Keys to the Street.” The project was initially considered after Nolan completed “Insomnia,” but he ultimately set it aside for a different opportunity. In reflecting on his decision, Nolan noted that while he found the script appealing, its thematic overlap with his existing films led him to believe it might not be the best fit for his next project.

Ultimately, Nolan chose to focus on “Batman Begins” instead of “The Keys to the Street.” His choice underscores a strategic approach in his career: prioritizing projects that align closely with his artistic vision and market appeal. As Nolan remarked, “I think it’s important to have some kind of thematic continuity across your films, but also to move forward into new territory.”

The Legacy of Unfulfilled Projects

Nolan’s track record of only two unproduced projects—“The Prisoner” and “The Keys to the Street”—highlights a significant achievement in an industry where many ambitious ideas never see the light of day. These abandoned projects serve as a reminder of the unpredictable nature of filmmaking, where even esteemed directors can encounter obstacles on their creative paths.

While Nolan’s career has been marked by success, his willingness to step away from challenging projects also speaks to his dedication to artistic integrity and his desire for personal growth. In an interview, Nolan reflected on this aspect of his career: “I think it’s important to be true to the work you’re doing.

Sometimes that means letting go of something even if it’s a great opportunity.”

Christopher Nolan’s journey through the film industry is a testament to both his success and his humility. As he continues to navigate the ever-evolving landscape of cinema, his commitment to creative integrity remains unwavering.