The Running Man Review: Edgar Wright’s Latest Offers ‘a Lot of Fizzy Blockbuster Fun’

Key Highlights

  • Edgar Wright’s adaptation of “The Running Man” is set in a future dystopia where contestants must survive being hunted by assassins on TV.
  • The film retains much of the original source material, including self-tapes that contestants must send daily during the 30-day contest.
  • Directed by Wright and co-written with Michael Bacall, the film is described as a “scathing satire” with “fizzy blockbuster fun.”
  • Glen Powell stars as Ben Richards, bringing a strong performance that showcases his action-hero credentials despite not using his typical smile.

Edgar Wright Returns to Blockbuster Dystopian Thriller

The Running Man (2025) marks director Edgar Wright’s latest venture into the realm of dystopian entertainment, reimagining Richard Bachman’s 1982 novel as a thrilling action thriller. This adaptation, co-written by Wright and Michael Bacall, aims to offer viewers both critical commentary on contemporary society and high-octane entertainment.

Setting the Scene: A Future Dystopia

The film is set in 2025, a year characterized by economic ruin and rising violence. Ben Richards (Glen Powell), a down-on-his-luck worker, enters this deadly TV show where contestants face off against assassins over a month-long period for the chance at a massive cash prize. This setting serves as Wright’s canvas to explore themes of survival, justice, and corporate control, all while nodding to the retro-futuristic aesthetics of the 1980s.

Glen Powell as Ben Richards: A New Leading Man

Director Edgar Wright chose Glen Powell for his lead role in The Running Man. In a departure from his previous works where he often displayed a charismatic grin, Powell’s portrayal here is grimmer and more intense. As Ben Richards, he brings a mix of anger management issues and strength to the character, making him both relatable and formidable on screen. Wright has found a new action hero in Powell, who seems perfectly cast for this gritty role.

Retro-Futurism Meets Satire

Wright’s approach to The Running Man blends elements of 1980s aesthetics with modern social critique. The film features cathode-ray-tube televisions and VHS tapes, creating a nostalgic yet unsettling world that serves both as background and thematic device. The directorial vision is expansive, drawing comparisons to films like RoboCop and Starship Troopers while still maintaining a satirical edge against contemporary issues such as surveillance and capitalism.

Conclusion

A Bold Step for Wright

The Running Man represents Edgar Wright’s biggest and boldest project yet. While it may lack the humor and flashy direction of his earlier works, the film remains a significant step forward in terms of narrative depth and social commentary. With its mix of action, satire, and dystopian elements, The Running Man is set to be both entertaining and thought-provoking for audiences seeking a new kind of blockbuster experience.