Jessie Buckley’s 10 Best Roles, Ranked

Key Highlights

  • Jessie Buckley’s career spans a variety of genres from romantic dramedies to horror.
  • Her role in “Hamnet” is considered her best performance and could be Oscar-worthy.
  • Buckley has shown versatility with roles in musical theatre, film, and television.

Jessie Buckley: The Versatile Actress

You might think this is new, but… Jessie Buckley’s journey through the entertainment industry isn’t just about her latest role. Her career has been a diverse exploration of different genres and characters, each one showcasing her incredible talent.

From Romantic Dramedies to Folk Horror

Starting with “Fingernails” in 2023, Buckley delved into the quirky world of romantic dramedies. It’s a genre that might not seem like her forte, but she proved it wrong. The film saw her playing Anna, a character who gets entangled in a complex situation involving her boyfriend and co-worker. This role was a charming deviation from her usual fare.

Musical Theatre to Broadway

Before her screen roles, Buckley first came to prominence on the stage with “Cabaret” at London’s Playhouse Theatre. Her performance as Sally Bowles was described as “something supreme” and earned her an Olivier Award for Best Actress. It’s a testament to her ability to captivate audiences both on screen and in live theatre.

Supporting Roles That Shine

Buckley’s role in “Wicked Little Letters,” co-starring with Olivia Colman, was a delightful change of pace. Set in 1920s Ireland, she played Rose Gooding, accused of sending vulgar letters to her neighbour. The scene where she is jailed became a national sensation, and the twist at the end only added to its intrigue.

Folk Horror and Trauma

In “Men” (2022), Buckley portrayed Harper Marlowe in Alex Garland’s eerie film about a woman struggling with trauma after her husband’s death. The role required her to navigate complex emotions and deliver a performance that was both powerful and terrifying.

Powerful Drama in “Women Talking”

“Women Talking,” directed by Sarah Polley, was a tricky but lauded performance for Buckley. Playing Mariche Loewen, she brought style and strength to the role of one of several women facing gas-facilitated rapes in a Mennonite community. Her portrayal was both delicate and fierce.

The Emotional Depth of “Chernobyl”

Her performance as Lyudmila Ignatenko in the Chernobyl TV mini-series documented the aftermath of one of history’s worst nuclear disasters. Buckley’s Ukrainian cadence was a standout, adding emotional depth to her role and earning her accolades for her acting.

Stardom with “Wild Rose”

“Wild Rose” (2018) set Buckley on the path to stardom. In this film, she played Rose-Lynn Harlan, a single mother who dreams of becoming a country singer. The role required her to balance inner turmoil and humor while showcasing her incredible voice.

Psychological Drama in “The Lost Daughter”

In her latest collaboration with Maggie Gyllenhaal, Buckley starred alongside Olivia Colman, Paul Mescal, and Dakota Johnson in “The Bride!” While the film is dividing critics, it was roundly acclaimed for its psychological drama. Her performance as Leda’s younger self earned her multiple nominations and awards.

Brilliant Baddies in “Fargo”

“Fargo” (2020) offered Buckley a role that was dark and complex. Playing Oraetta Mayflower, she brought depth to the character of a seemingly nice nurse with a murderous mind. Her performance was outstanding, and it demonstrated her versatility as an actress.

Number One Role: “Hamnet”

There can really only be one role at number one. In Chloe Zhao’s adaptation of Maggie O’Farrell’s novel, Buckley played Agnes Hathaway in the story about Shakespeare and his son Hamnet. Her portrayal of a woman gripped by grief was truly exceptional.

This performance could very well earn her an Oscar nomination.

With roles ranging from romantic dramedies to folk horror, Jessie Buckley’s career is a testament to her versatility as an actress. She continues to prove that she can take on any challenge and deliver a powerful performance.